Carolyn Morris
Her artworks question how our encounters with the physical world are shaped by the objects
we use, the ‘rules’ or assumptions we adopt in relation to them - which may be deeply embedded in us -
and how these come to determine the space we occupy; the seeming passivity of the object waiting to
be handled and the change of direction that is suggested through human intervention.
In this exhibition Carolyn’s work was largely inspired by Woolf’s novel, To the Lighthouse, and the motifs Woolf used
which parallel Woolf’s physical space and objects at Monk’s House, where Woolf lived, at Rodmell in Sussex.
2018 WAVELENGTHS
2019 WAVELENGTHS 2
www.instagram.com/caro_artslab
Her artworks question how our encounters with the physical world are shaped by the objects
we use, the ‘rules’ or assumptions we adopt in relation to them - which may be deeply embedded in us -
and how these come to determine the space we occupy; the seeming passivity of the object waiting to
be handled and the change of direction that is suggested through human intervention.
In this exhibition Carolyn’s work was largely inspired by Woolf’s novel, To the Lighthouse, and the motifs Woolf used
which parallel Woolf’s physical space and objects at Monk’s House, where Woolf lived, at Rodmell in Sussex.
2018 WAVELENGTHS
2019 WAVELENGTHS 2
www.instagram.com/caro_artslab